Writing Intensive: Scriptwriting - Screen Time Well Spent!

Join us for five days of online learning from September 14 to 18, 2026!

Writing Intensive: Script to Screen (Screenwriting)

Start: Monday, September 14, 9:30 a.m.

End: Friday, September 18, 2026, ~ 3:30 p.m. to 4:00 p.m.

Join us for five days of inspired instruction from working professionals, Monday, September 14 to Friday, September 18, 2026. An intro tech session will be held on Monday morning at 9:30 a.m. to cover the week’s expected events and to address any tech issues in the audience.

Guided writing sprints will be held Tuesday through Friday mornings from 9:30 to 10:30 a.m.

The first instructional and/or panel session begins at 11:30 a.m. on Monday. The second session of each day will begin at 2 p.m. The 2 p.m. session on Friday will be a panel Q&A discussion featuring guests from our week.

ABOUT

Script to Screen is a week for writers curious about screenwriting—whether you’re starting from scratch or already have a script in a drawer. Unlike our other Intensives, this week leans into conversation: We’re bringing together a mix of panels and sessions with working industry professionals, rather than straight instruction, so you can hear directly from the people who turn words on the page into movie magic.

Over the week, we’ll cover:

• the basics of screenwriting: format, structure, and terminology (Screenwriting 101);
• how the film industry works, and where screenwriting fits inside it;
• what actually separates a screenplay, a script, and a novel as forms
• the hierarchy of screenwriting—once a writer’s draft is done, the project belongs to the director, and what that handoff means in practice;
• the role of the producer, and how producers shape a project from development onward;
• how screen adaptation works, from source material to shooting scripts;
• how a script is “broken down” from the points of view of the people who make it into a movie: director, cinematographer, producer, wardrobe, and construction/art department
• and MORE!

OPTIONAL PREP: SCREENWRITING SOFTWARE

If you’d like to follow along using dedicated screenwriting software, it’s recommended but not required. Options to consider ahead of the week include Fade In, Scrivener, WriterDuet (free plan available), Celtx (nominal monthly fee), Arc Studio, Final Draft, and Trelby. (Note: Trelby does not run on Mac OS).

The week of learning, activities, and connection will include FOUR hour-long guided writing sprint sessions each day and TEN 1.5-hour-long sessions and/or panels, including an end-of-week Q&A wrap-up event on Friday afternoon for participants to reflect on what they’ve learned and ask questions that haven’t yet been addressed.

Presentations will be recorded and available to registrants for 45 days after the intensive. The recordings will all be emailed at once, within a week of the end of the intensive. Sprint sessions will not be recorded.

DETAILED EVENT SCHEDULE -- COMING SOON!

Presentations will be recorded and available to registrants for 45 days after the intensive. The recordings will all be emailed at once, within a week of the end of the intensive. Socials and writing sprints will not be recorded. 

THE FINE PRINT:

ZOOM LINK

• The Zoom link will be included in your registration confirmation and in follow-up reminders.

• We will be using the same Zoom link for the duration of the event.

• Please watch your email for a confirmation of registration email.

• If you do not receive your confirmation within 24 hours of registration, please check your spam folders.

• Contact us at hello@bcwriters.ca if you have not received your confirmation by Thursday, July 16th to ensure we can get you the needed information.

RECORDINGS

• Sessions (except social/discussion-based events) will be recorded and made available for 45 days after the last session.

WHAT TO EXPECT

• Sessions will be a combination of talks, activities, and workshops.

• The FBCW's statement of participant expectations applies in all settings. Please help us make this intensive a fun, safe experience for our presenters and community members by being respectful and considerate in your participation. 

• Most sessions will be 1 hour in length. Q&A may extend the session, but participants are not required to stay.

• Participants are encouraged to have a pen and paper handy for all sessions.

RATES

• FBCW MEMBERS: $69.50
• GUEST: $89
• SCHOLARSHIP: Limited scholarship-based discounts are available for those experiencing financial difficulties. Please email us at hello@bcwriters.ca to inquire.

POLICIES

RECORDINGS

• Our presenters are provided with contracts that stipulate the length of time that recordings are available. We are obligated to respect these contracts. No extensions are possible.

• Reach out if you have any tech challenges related to access of the recordings so that we can help you in the timeframe available.

REFUND POLICY

• Full refunds will be issued up to August 28, 2026, at 11:59 p.m.

• Refunds for half of registration fees will be be issued until September 11, 2026, at 11:59 p.m.

• No refunds are possible after September 12, 2026, at 12:00 a.m. except in the case of severe illness, death, or other urgent situations determined on a case-by-case basis.

INTELLECTUAL PROPERTY

• We are an organization that cherishes the work of writers and artists. To that end, we ask that all participants respect the intellectual property of our presenters, recordings, and material shared. Do not reproduce or distribute Writing Intensive materials without written permission.

• Similarly, if other participants share information or excerpts from their projects, please respect their intellectual property.

LIABILITY

• In registering, participants understand and agree that the Federation of BC Writers (FBCW), its board, staff, presenters, and members are not liable for any damages or losses arising and waive any of the above from any and all liability.

• The FBCW provides a space for presenters to share their experiences and insights with participants. The writing industry is a complex and ever-changing environment. As such, the FBCW does not endorse any specific information shared in our programming as being complete or accurate in all scenarios. Participants have a responsibility to research and make informed decisions on any information given or implied.

• Difficult and triggering topics can arise as part of artistic practices that are unforeseeable for staff, volunteers, and other participants. The FBCW is not liable for any damages or harms caused by participating in our programming.

PARTICIPANT EXPECTATIONS

• The FBCW is an organisation that celebrates diversity and inclusion; taking part in the program means that participants are expected to be respectful, inclusive, and support the dignity of all people regardless of age, sex, gender, sexual orientation, ancestry, language, nationality, ability, health status, religion, and socioeconomic status. All people have identities that intersect the categories above. Examples of behaviour that undermine the above are: crude jokes, unwanted communication, statements minimising others’ experiences/histories, and threats.

• Participants are expected to arrive a few minutes before sessions start. This allows for any technical issues to be resolved without the group being disrupted.

• If a participant is late, we ask that they refrain from asking “What did I miss” type questions so that the event can proceed smoothly.  Staff and facilitators will do the best they can to assist if vital information has been shared, but the recording should be able to resolve any questions of this nature.

• We ask that participants be mindful of the amount of time they speak at events. All participants should have the ability to join in. Participants are expected to keep comments on topic and under a minute so that as many people as possible can participate.

• Participants understand that if they are muted, it is not an intentional slight to them, but is needed to keep the session moving forward.  Participants can be muted at the discretion of the FBCW facilitators.

• Difficult topics can arise, and participants understand that we cannot always know or understand other people’s histories. To help make the space as welcoming and safe as possible, if a participant is to share information or read excerpts from works that contain certain themes (outlined below), they will identify this prior to reading it to the group. (e.g. sexual assault, extreme violence, self-harm/eating disorders/suicide ideation, abortion/miscarriage, mental illness, graphic adult content).

• Participants are expected to understand, be sensitive to, and respect the fact that the work of writers, and their opportunity to read their work may be triggering and/or therapeutic to them. Artistic works require vulnerability and the safety to be vulnerable, especially with sensitive topics. Participants agree to do their best to maintain a safe and supportive space for the sharing of the work, regardless of its nature.

ACCOMMODATIONS AND ACCESSIBILITY

• The Federation of BC Writers strives to make our events accessible to folks across ability and neurodivergence. We will do what we can to make our programming available to all people.

• Our programming is based on zoom which means there are some limitations on what can be accomplished, but also advantages such as closed captioning and the ability to join from anywhere.

• Accommodations are assessed on a case-by-case basis.

• Accommodations that would significantly hinder the ability of other participants to be involved or participate are not possible.

• Some accommodations may be beyond our financial and administrative capabilities. In such cases, we will seek funding or alternatives if possible.

• Sessions normally last for an hour. Participants are welcome to step away from their computers if they need to while turning off their camera and microphone, but we will not be able to fill people in on what they missed. Participants are asked to return to the recording in such instances.